Mixers and Recorders
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Chained 302/442 into PD6 and R4 backup |
This has meant that moving over to a trolley for the increasing amount of drama work has been a bit of a compromise: chaining the Sound Devices 302 and 442 together to give 7 input channels, with 4 direct outputs (usually for the radio mics); this then feeds into the stereo mix of the Fostex PD6, tracks 1&2 usually split stereo (booms left / radios right) with the additional tracks taking the post fade iso tracks.
Clearly (well, clearly to me anyway) the next logical progression would be to improve the mixing and routing capability whilst working on the sound trolley - but this would mean investing in a flat bed mixer that could "only" be used whilst working on the trolley. The down side here is that still most of my work is "over the shoulder", and so the mixer would potentially not earning its keep for most jobs. This meant looking into alternatives, and admitting that the PD6 is, (although a more than capable production recorder), a bit long in the tooth these days.
Control Surface vs Mixer
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A 12 channel timecoded recorder with 8 inputs, multiple outputs, capability to write to the internal hard drive, CF card and multiple external drives simulatenously. The CL8 offers an "in the handbag" set of 8 rotary faders and additional controls. The CL9 offers 8 linear faders with quicker access to the recorders functions and giving multiple additional functionality such as an eq on each channel, more controlled pan functions and additional comms returns.