The two new microphones are from the recent 8000 series, which are based on a modular design. The new 8060 and 8070 capsules are designed specifically for location audio work, both being based on the successful MKH 60 and 70; the 60 being the original successor to the "industry standard" MKH 416.
|MKH 8060 capsule|
The 8060 is the physically shorter of the two new capsules - short shot gun - and has a wider acceptance angle, a tight hypercardioid if you will. The original improvements of the 60 over 416 changed the frequency response of the off axis sounds, making it a much nicer microphone to use indoor (due to reflections) - and slightly less harsh, as the presence hump had been lessened. As the 8060 is modular, this is just the capsule that would then need attaching to an XLR adapter for a complete conventional microphone; however with the 8000 series design there is the option for an LF Cut / attenuator module, AES 42 digital converter module (making a digital microphone), or remote attachment of just the capsule using a lightweight cable - useful for reducing weight and length - a definite consideration in tight corners when booming or mounting on top of a camera.
|MKH 8070 capsule|
Although the 'sound' of the Sennheiser range is sometimes said to be inferior to the Schoeps or DPA - there are very few recordists that I know that don't have a Sennheiser microphone in their kit - purely because of the reliability. When I bought my first "proper" location microphone, I bought the MKH 416, because I asked a number of my far more experienced colleagues: "If you could only own one microphone, what would it be?" - and the answer was either the MKH60 or MKH 416.
I hope that the 8060 continues this pedegree, with the additional benefits that the modular design of the 8000 series has to offer - I look forward to hearing them.
12 April 2011